The log-built Libušín dining hall at Pustevny: a dark red building with a shingle roof, a gable painted in yellow and a carved turret; a stone staircase and benches in front of it

Dining hall • Pustevny • national cultural monument

Libušín

Fire swallowed the finest dining hall in the Beskids. Carpenters rebuilt it board by board.

A masterpiece that had to be built twice

Libušín is a dining hall - and the masterpiece with which the young Dušan Samo Jurkovič entered the history of architecture. He designed it for the Pohorská jednota Radhošť mountain association in the folk Art Nouveau style; the hall was painted by Karel Štapfer to designs by Mikoláš Aleš.

In March 2014, much of Libušín burned down. Restoring it by hand to its 1925 form took 6 years. It reopened on 30 July 2020.

The front of Libušín with its stone staircase, painted gable and the inscription Pohorská jednota Radhošť – Pustevně
Libušín from the approach path – the turret and the yellow painted gable are its hallmark.

Why come here

An Art Nouveau gem where meals are still cooked

Libušín is a working dining hall. You can see the room with Aleš's scenes and its carved furnishings over a meal.

Not to be missed

The painted hall and the gable above the entrance

Inside, wall scenes and inscriptions to designs by Mikoláš Aleš; outside, a yellow painted gable bearing the name of Pohorská jednota Radhošť. The second Jurkovič lodge stands next door - Maměnka.

When to go

All year; for the hall, avoid peak times

The saddle fills up at weekends. The interior is a working dining hall – come in the morning or outside the main mealtimes.

Libušín360°
Detail of Libušín's gable from below: a yellow painted panel with floral motifs, and above it a carved turret with a gilded cockerel
View from above of Libušín and Maměnka in the Pustevny saddle, with forest and the countryside below the mountains behind
Libušín's turret from below, with the roof of the neighbouring building behind

The painted decoration

Mikoláš Aleš designed it, Karel Štapfer painted it

The scenes in the hall were drawn by Mikoláš Aleš and transferred to the walls by the academically trained painter Karel Štapfer. After the fire, the paintings were restored from the same designs.

The wall decoration

Figures, legends and inscriptions

Above the panelling, highlander figures and scenes from legends alternate with painted inscriptions – such as “Jak se do lesa volá, tak se z lesa ozývá”, meaning that the way you treat others is how they will treat you.

What to look for

Furnishings and chandeliers

The tables, the chairs with carved backs and the chandeliers with red flowers are all part of the design – Jurkovič treated the building and its furnishings as a single whole.

The restored hall of Libušín: long tables with carved chairs, pale green wall panelling and wall paintings
A view along the hall beneath a wooden arch: painted figures on the walls, long tables and a chandelier in the middle
An octagonal room with paintings all around: a rider on a white horse, a figure beside a vessel, benches and tables by the windows
A wall painting: a figure in a cloak with long braids leans on a staff, beside a vessel with smoke rising from it
A wall painting of a man in a green jacket and high boots, a rifle over his shoulder and a shepherd's axe in his hand
A highlander with a rifle and a valaška shepherd's axe – one of the figures surrounding the hall on every side.
A close view of a chandelier in the dining hall: a wrought crown with red flowers and white glass globes, beneath a painted beamed ceiling
Jurkovič designed the chandeliers as part of the hall – red flowers against the green ceiling.
The dining hall interior with a tall tiled stove, a glazed display case and painted inscriptions below the ceiling
The tiled stove warms the hall on cold days – and belongs to its furnishings.
The dining hall with a tiled stove, a dresser and painted inscriptions above the wall panelling
Painted inscriptions run above the panelling; the tiled stove stands in the corner, with a dresser beside it.
The painted hall of Libušín: pale green panelling and ceiling beams, wall paintings, long tables with carved chairs and chandeliers with red flowers
The painted hall of Libušín from another angle – the colours and the furnishings have returned to their turn-of-the-20th-century form.

The story of Libušín

Three buildings in one

First it swallowed an older shelter, then it became an icon of folk Art Nouveau – and finally it burned down. What you see today is a hand-built copy.

Aerial view of Libušín from the right: the tower with its gallery in the foreground, the main hall with its gable in the middle, Maměnka behind on the left
On the left, the unassuming wing formed by the absorbed Pústevňa; in the middle, Jurkovič's dining hall with its gable; on the right, the 1924 extension.

Pústevňa 1891

Pústevňa stood here on its own first

The Frenštát association Pohorská jednota Radhošť - the oldest Czech hiking association – bought a plot in 1886 near the ruined hermitage that gave the place its name, Pustevny. Five years later it built the first tourist shelter here and named it after the hermitage: Pústevňa. The single-storey wooden building had 16 beds, a taproom and a shared dormitory.

Pústevňa stood on its own. Today it is part of Libušín - the building swallowed it. Visitors were arriving faster than beds could be added, so the association decided to keep building.

Aerial view of Libušín's plainer wing – the swallowed Pústevňa – with two dormers and a plain roof without painted decoration
On the left of the aerial photograph is the swallowed Pústevňa – Jurkovič reworked its gable too when joining the buildings, only more modestly than the dining hall's.

1897–1899

Jurkovič, Štapfer and Aleš

The association turned to the Vsetín building firm of Michal Urbánek. Its employee at the time, the young architect Dušan Samo Jurkovič, designed two new mountain lodges - the Libušín dining hall and the Maměnka hotel. He drew on the log architecture of Wallachia and added his own details and Art Nouveau colour.

Both buildings opened on 6 August 1899. Libušín was painted by the academically trained painter Karel Štapfer to designs by Mikoláš Aleš – which is how scenes from Wallachian and Slavic legends came into the hall.

Libušín from the front: a log building on a stone base, with a painted gable and the inscription Pohorská jednota Radhošť – Pustevně above the entrance
Jurkovič's gable from the front and from a drone – a painted panel with a turret above the entrance.

Parma's extension, 1924

The last extension was added on the right

The last extension went up in 1924. It was built by Aleš Parma - which is why it is still called Parma's extension. A flat was created in the upper part, and a kitchen was added at the back a year later.

The extension keeps the same log style as Jurkovič's dining hall, although it is a quarter of a century younger. The sources name Parma as the builder of an extension raised in the established spirit of the whole group. Today's form matches 1925 exactly, when Libušín was first finished as a whole.

The taller tower-like extension of Libušín with a gallery and balcony on the upper floor, its own stone staircase and entrance
The right-hand, youngest wing of Libušín – the 1924 extension. The tower now hosts themed exhibitions.

The night of 3 March 2014

A burnt-out shell was left

On the night of 2–3 March 2014, much of Libušín burned down. The flames destroyed mainly the right-hand part of the building – the part containing the artistically most valuable painted dining hall.

A burnt-out shell was left. That shell then became the main source for the restoration: heritage specialists and conservators studied it as work went on and filled the gaps from period photographs. The question was not whether to build Libušín again, but in what form. Thousands of donors contributed to the CZK 117.5 million restoration through a public fundraising appeal – in 2017 the most successful appeal in the country.

the night-time fire
3 March 2014
the restoration took
almost 6 years
the form it returned to
1925
cost of the restoration
CZK 117.5 m
The front of Libušín after the March 2014 fire: the charred gable and turret, a temporary beam propping it up and site fencing with prohibition signs in front of the entrance
The shell shortly after the fire, June 2014.Foto: Ivannah, Wikimedia Commons, CC BY-SA 3.0, výřez

2020

A copy hewn by hand

Libušín was restored as a scientific reconstruction - a faithful hand-built copy. The carpenters worked in traditional ways and with solid fir timber, the same wood the original building had. The interior of the dining hall is a copy of Jurkovič's work from 1899, and the painted decoration was restored from Aleš's original designs.

The building returned to its form of 1925, when the group of gradually extended buildings was finished as a whole. The technology today's regulations require was hidden inside it as well. The fire suppression system works with gas so that water does not destroy the interior. Libušín reopened to visitors on 30 July 2020.

The restored hall of Libušín with two chandeliers: pale green panelling, wall paintings and inscriptions, long tables with carved chairs in the middle

Timeline

Libušín year by year

From the first tourist shelter through Jurkovič's dining hall and the fire to the reopening.

  1. 1886

    A plot below Radhošť

    Pohorská jednota Radhošť buys the plot called “Krabičanek” near the ruined hermitage from Apolena Malinová, the fojtka – a hereditary village head.

  2. 1891

    The Pústevňa shelter

    The first tourist shelter at Pustevny is built – 16 beds, a taproom, a shared dormitory. It is part of Libušín today.

  3. 1897–1899

    Building Libušín

    The Libušín dining hall and the Maměnka hotel go up to a design by Dušan Samo Jurkovič (Michal Urbánek's building firm).

  4. 6 August 1899

    The opening ceremony

    Both lodges open to the public. The interior of Libušín was painted by Karel Štapfer to designs by Mikoláš Aleš.

  5. 1924–1925

    An extension and a kitchen

    The complex gains an extension and a kitchen at the back – the group of buildings comes together in the form it will return to a century later.

  6. 1995

    National cultural monument

    The Pustevny complex is declared a national cultural monument; Libušín and Maměnka pass into the care of the Rožnov open-air museum Valašské muzeum v přírodě.

  7. 3 March 2014

    Fire

    A night-time fire destroys much of the building, including the artistically most valuable painted dining hall.

  8. 2020

    Reopening

    After almost six years of scientific reconstruction, Libušín returns to visitors on 30 July – in its 1925 form.

Na závěr

Doplňující info a test znalostí

Rychlá rekapitulace

Can I just look inside Libušín?

Yes – it is a working dining hall, and you can get inside as a guest over a meal. Moving freely with a camera between occupied tables is limited, though.

Is Libušín the original building or a copy?

A faithful hand-built copy. After the fire in March 2014, a scientific reconstruction – the same techniques and the same kind of timber as in the late 19th century – returned it to its 1925 form.

What is the difference between Libušín and Maměnka?

Both buildings were designed by Dušan Samo Jurkovič and opened in 1899. Libušín is a dining hall, Maměnka a hotel. Much of Libušín burned down in 2014 and it is a faithful copy; Maměnka is the original building from the late 19th century.

Who looks after Libušín?

The building belongs to the Rožnov open-air museum Valašské muzeum v přírodě, today a branch of Národní muzeum v přírodě. The dining hall is run by a private tenant.

When is the best time to visit?

The saddle fills up at weekends. The interior is a working dining hall – come in the morning or outside the main mealtimes.

Závěrečný kvíz

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